Man in Bowler and Oversized Coat, View From Behind, Elusive (Pre-Magritte) Antique RPPC homespun sampler and framed on three sides

and framed on three sides with vines and berries

Stimmel went on to work as a set designer at the Metropolitan Opera and was a member of the Scenic Artists Union--which this painting

hardboard/masonite back

" more than twice as long as the others and which she attributes to Cecil Frances Alexander at the end

but it could be set anywhere and does not need light behind it to pop

Man in Bowler and Oversized Coat, View From Behind, Elusive (Pre-Magritte) Antique RPPC homespun sampler and framed on three sidesI'm rather obsessed with this one, striking and evocative and rather iconic feeling, but which refuses to be pinned down. The back of the postcard dates it to the 1910s or early 20s, I believe (I took some time comparing this exact font and format to other real photo postcards and that seems to be the period of use), meaning it pre dates Magritte's earliest man in bowler painting by at least a few years, though those are what it immediately calls to